– Beautifully Made, But Not for Everyone
Poor Things is definitely one of those films that falls into the “artsy” category—and right out of the gate, that means it won’t be for everyone. It’s bold, stylized, and unapologetically unique. If you’re looking for something that feels different from anything else out there, this might be exactly your kind of movie. But for me, while I can absolutely appreciate the craft, I just didn’t connect with the story.
Visually, the film is stunning. The cinematography is striking, and the use of black and white is incredibly effective. Every frame feels intentional and artfully composed. The world it creates is weird and surreal, and I’ll give credit where it’s due—it’s memorable. The performances are also top-tier. Emma Stone, in particular, is fearless in her role, and the entire cast leans into the film’s eccentric tone with full commitment. From a technical and performance standpoint, this film delivers across the board.
That said, the story itself didn’t resonate with me. I tend to connect more with narratives that have emotional ties onto which I can latch—characters for whom I can root, arcs in which I can invest. Poor Things felt more like a philosophical exploration wrapped in abstract storytelling, and while I can appreciate that approach, it didn’t pull me in on a personal level. It’s more of an experience than a traditional narrative, and I found myself admiring the film more than actually enjoying it.
In the end, Poor Things is a bold, beautifully made film that succeeds in being exactly what it sets out to be. It’s just not the kind of story I typically connect with. For fans of experimental or art-house cinema, this might be a must-watch. But if you’re someone who prefers character-driven, emotionally grounded storytelling, this may not be your cup of tea.
Leave a Reply