The Bikeriders (2024) 😊

I have mixed feelings about The Bikeriders. In some ways, it wasn’t what I expected, and in others, it exceeded my expectations. This is more of an artsy film, and the trailer doesn’t quite do it justice—it might lead audiences to misplace some of their expectations.

Let’s start with what worked. Tom Hardy as Johnny. I don’t know what it is about these gritty crime-thriller roles, but Hardy always nails it. And his voice? It feels almost inspired by Mike Tyson—not traditionally masculine, yet when it comes to fighting or raw intensity, Hardy’s Johnny is an absolute monster.

Then there’s Austin Butler as Benny. Fresh off his titular role in Elvis, Butler brings the same magnetic energy here. Benny is fiercely loyal to the gang, and in his mind, the gang is whatever Johnny says it is. His performance is raw, believable, and just perfect.

And Jodie Comer as Kathy—wow. Her accent is unforgettable. If you’ve seen Schitt’s Creek, you know how distinct Moira Rose’s voice is, thanks to Catherine O’Hara. Well, Comer brings that same level of unique, memorable characterization to this film. She’s a standout.

Now for the letdown. After all the build-up and tension, the culmination of the movie fizzles out. The story thickens and sets the stage for something big, only to end in an anticlimactic moment that left me underwhelmed. It’s a shame because everything else—Tom Hardy’s commanding presence, Austin Butler’s intensity, Jodie Comer’s brilliance, the stunning set pieces, and the excellent camera work—was so well done.

In the end, The Bikeriders is a mix of highs and lows. The performances and artistry are incredible, but the story’s ending doesn’t quite live up to the promise of the build-up that got us there.

See all movie info at TMDB