It’s one of those films that keeps you teetering on the edge from start to finish—and I loved it.
Going in, I wasn’t sure what to expect from the trailer, but I walked out fully satisfied. The cinematography does an incredible job of complementing the tension in the story. At times the visuals are almost serene, lulling you in, only to turn haunting and leave you uneasy. And the lighting?? Brilliant. The way shadows are used—forcing you to squint, trying to make out what’s hidden—only for the timing of the cut to deny you that clarity—is masterful.
And then there’s Aunt Gladys. Absolutely bone-chilling. She steals the show with a presence that will stick in my mind for a long time. The film thrives on being unsettling in all the best ways, walking that fine line where the graphic moments serve the story rather than overwhelm it.
One of the more subtle but brilliant touches is the way characters move when they’re under control. It’s not flashy or over-the-top, but it’s deeply unnerving, making those moments feel even more real.
I also have to give credit to the dark humor woven throughout. Yes, there are jokes—but they’re the kind you almost feel guilty for laughing at. That’s part of the genius here. The discomfort is intentional, and it works.
This isn’t a movie for everyone. If you’re looking for something light or comforting, this won’t be it. Weapons wants you to squirm, to feel off-balance, and it succeeds. It’s as much about mood and atmosphere as it is about story, and the balance between tension, horror, and even humor is handled with precision.
For those who enjoy films that live in the shadows—literally and figuratively—this is a fantastic watch.
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