White Bird is a beautifully told story set in France during World War II. While films that highlight the inherent goodness of people in wartime are not new, each one nourishes the soul in its own way—and this one is no exception.
One of the film’s standout elements is the youthful romance between Sara (Ariella Glaser) and Julien (Orlando Schwerdt). Despite their young careers, both actors deliver exceptional performances that ground the story in tenderness and resilience. The film also skillfully balances this romance with its central theme—staying safe from the Nazis—while ensuring the content remains appropriate for younger audiences.
My one critique lies in its tie to Wonder. While Julian (Bryce Gheisar) makes an appearance, complete with a flashback to a scene from Wonder, this connection feels disjointed, even forced. The story would have stood just as strong without it. Instead of complementing the brilliance of the rest of the movie, it feels slightly sloppy, detracting from the otherwise cohesive narrative. A more seamless integration—or its omission—likely would have better served the film.
That said, White Bird remains a deeply moving and well-crafted film. It’s a poignant reminder of the power of kindness, courage and love, even in the darkest of times.
